Saturday, April 09, 2016

Dapper Dasher

I've been mixing two or more projects this winter...well...tow major projects and I can never keep track of how many minor projects, but you've likely read about some of them if you follow along here, and plenty of these minor projects are just small steps in advancing the greater offerings of the Moustache Shop.  I posted about the plate crown fork several months back as it was an accomplishment in retro-technology and the first step in building up the Dapper Dasher.  A little background is due here:


Dapper Dre is the one character I know that has the whims of our city wrapped around his finger.  The city makes a move towards progress and development, Dre has been waiting at the corner for this very moment to throw mud in her face with a smug grin and then roll in it right along side her.  He exists symbiotically with a city trying to grow despite its many constraints.  His lifestyle has grown from simple but ridiculous events that light a fire underneath the public to bring out their best both in dress and in character to inspiring our public through his antics on both on stage and on the internet.  His enterprises have grown from famed purveyor of costume attire to celebrity entertainer, but nothing has been left behind.  The wave of Dapper Dre is growing in intensity.  I never took Dre as the custom bike type, but Dre has not owned a car in the ten years I've known him.  This bike is not my typical commission, its the bike to carry a vintage lifestyle into the great unknown space of the future.  Traveller of retro-space.  Class was to be considered on all fronts.


After the plate crown fork, the frame was a sigh of relief: simple diamond frame for modern accoutrements like 650B wheels with disc brakes.  Everything you wanted in 1985 but maybe didn't know about.  Room for 45mm tires with fenders or 2.2" tires without.  Northern Arizona is a rocky place, even if you're just on a commute.  The position is one for comfort over the long haul, and with back pain riders like to be upright, so the cruiser bar project came about mid-build and has proved a worthy endeavor.  The handling is stable and predictable thanks to the slack angles, upright position, a long rake fork, and a high-ish bottom bracket keeps pedals off the rocks when travel turns to raw earth.  






Space Junk.


Bikes work out best when there is a cohesive plan from the inception and this one had it right down to the color scheme.  Burgundy with copper accents, silver and black components mix meeting at the crankset.  The burgundy color was achieved by putting down a sparkly layer of cosmic blue with a candy red top coat.  You can see the blue coming out with the tap.  Certain lights bring out the combination as a vibrant purple.  Remember your color mixtures kids.






The build for this bike had to match the rider's taste for vintage.  I chose to represent this with the best parts available from all times past and present.  The wheels are 36 hole Velocity Atlas touring rims in polished aluminum laced to my favorite: Hadley Hubs with Phil Wood custom cut spokes.  The hubs use Hadley's ti-bolt option in the rear for future adaptability in a potential trailer project with a traditional 9mm QR in the front and a bolt on skewer.  These hubs are brilliant, with excellent machining throughout, quick 72-point engagement from the titanium freehub body, adjustable bearing preload and simplicity in rebuiling.  The choice between shimano and sram xd drivers is also available. For this project we went with the Shimano option for back compatiblity with the NOS 8 speed m900 12-32 tooth cassette.  Oh yes!  This piece was matched to gray XTR derailleurs and mated to Suntour XC Pro top mount shifters.  The best in vintage mountain bike drivetrains.


Further rounding out the build are Honjo aluminum fenders, Rivendell Fatty Rumpkin tires, Avid BB7 brakes with Speed Dial Ultimate levers.  If you're questioning the brakes, think about this:  before these came along you had the option of Hayes 22mm post mount hydraulics that were finicky at best...these brakes eased the transition from rim brakes to hydraulic discs in a simple and elegant manner that was easy for any average joe to grasp.  Paul components just now released a disc brake that is functionally a clone of this design that dates back, what, 16 years?  I'd say that's pretty timeless.


The rest of it was accomplished with a White Industries double crankset with a 26/40 tooth ring combo attached to a Phil Wood square taper bottom bracket.  Should be service free for at least the next five years, probably more like ten or fifteen.  Headset is a Cane Creek 110, and Thomson supplies the seatpost and BMX stem.  The seat is a Brooks kevlar and rubber model.






The racks were created to match the overall theme with wood inlays reminiscent of a flatbed pickup from the '60s.  The rear will accommodate standard panniers from any number of makers while the front is more aimed at a large cargo like a trunk.


Upon receiving this bicycle, Dapper Dre turned up in production mode, cameras rolling.  The bike was unveiled from beneath a tarp and christened with the bubbly.  Champagne was sprayed about, coating that lovely red finish before being licked off by the man himself.  A hilarious spectacle.  Pee-wee quotes were quoted, and circles were ridden.  "Its not for sale Francis"

Wednesday, March 23, 2016

Stock Parts....


....Blockhead.  I needed some fork ends that would take a way oversize piece of straight gauge as a fork blade and a 10mm axle.  The yarder is running a rear hub for a front hub.  Nothing really seemed to fit the bill so I machined these little pieces out of some 4130 plate.  Quite simple really.  8 corners, 90 degree angles.  They line up the blade with ample room for the disc rotor and there's enough space left over in the miter to manipulate the spread of the crown a bit.  Brass is sweat both inside and outside the fork blade and the rest is capped.  I'll get a good picture of the finished product before its all gone, but have neglected to so far.


One Paragon item I never thought I'd use is their tapered steerer (MS2009).  It is a beautifully machined piece of 4130 with relief internally to match the transfer of stress loads of a fork flexing from bump and brake into the steerer and headset and on into the main triangle.  In my mind it has seemed excessive in most rigid bike applications versus a straight steerer.  I find a straight 1.125" steerer, or for increased braking demands a externally tapered steerer for a 1.125" headset (MS2026 or my own made) more appropriate for brazing a unicrown or segment crown fork for most bicycles (meaning up to a 29" tire and 3" width or less).  Increased leverage from added length of the fork blades on the 36er coupled with a 200mm disc rotor creates a need for extra strength in the fork crown and the tapered steerer is up for the task.  The crown tubing pieces wrap the fork blades and in this case approach the size of the steerer base.  Tube diameter and wall thickness are a crescendo of sorts, growing thicker towards the top.  All told the 9 inches of steerer tube stack will most likely remain its full length when the build is complete.



Thursday, February 18, 2016

Project 787

....No this isn't the introduction of carbon into the materials list as the commercial jet manufacturer did with their similarly titled project.  It is however in reference to the size of the project, namely the BSD.  While the aforementioned jet manufacturer likely felt similar about their project in size and scale, they are a large corporation with substantial public holding and an infrastructure that occupies the better part of a major world city; I am a guy with an impoverished affinity for tools, access to a 300 square foot shop, and the desire to make awesome bikes for people.  So to talk about the scale of this project being let's say... similar to that of the jet company... is likely the greatest understatement of the day.


Now, I'm not really one for novelty bikes or fad, I hope my work to date speaks to that, I generally try to talk folks out of ideas that I would think to be less than good.  There have been plenty of over the top requests that I have flat out declined before even considering the time involved or final price.  More often though people's ideas are really just based in that of a good riding bicycle, but muddled with the latest hype.  With a little direction and specificity their dream is easy enough to achieve.


My ongoing email conversation with the Professor is as of typing this: 70 emails long.  70 emails with little more than a wheelset to show for it.  The conversation started clear back in September with the subject line "Big Bike,"  to which the Professor briefly introduced himself (as a sizeable figure that, well, let's just say Lebron James would look up to), his well worn bike collection (that included a couple other customs), and his desire (Big Bike).  He concluded by asking if I would be interested in meeting up for further conversation.  I obliged.  I had never really considered making a 36er before, nor what would go into doing so, but this proposal was 100% necessity.  The rest is me nit-picking the details of every imaginable element that could possibly be conjured into, onto, or beside a two-wheeled structure.  For the Professor, this is an object of necessity, he dwarfs his current 29er.

A good bike build starts with the hubs in hand, and with a BSD of 787 mm, and a rider weight of 285 lbs, nothing can be overlooked.  I turned to Phil Wood for the hubset... err... most of the parts of what would ultimately become the hubset.  The snow bike front hub 135 mm OLD and tandem rear hub 145 mm OLD were the last ones sitting on the shelf in 36 hole drilling.  These will work.  The reason for these hubs is the wider flange spacing allowing a similar spoke angle (flange to rim) to that of a 29er, even though the radius is nearly 3.5 inches larger:  stability.   With the hubs in hand I began to realize that the quick release configuration these were sent with just wouldn't do, so I went about turning new stainless axle ends for an in-house bolt on conversion since PW didn't have the parts.  The cool thing about these hubs is the axle is the same regardless of configuration and is internally threaded M8 x 1.25mm.  Spacers threaded onto the axle O.D. handle the interface with the frame and the location between the dropouts.  I took this opportunity to align the snow bike front hub to rear disc spacing.  This better centers the flanges and gives better disc rotor to fork blade clearance.  Onto wheel building.


Being that this is a bike built on unicycle parts there are some things to keep in mind... namely limited parts selection.  There are these rims, maybe another choice, that lace to a choice of two or three hubs (crank attached via ISIS interface), with your choice of three lengths of 14 gauge spokes in 5 mm increments*.  Hardly a wheel builder's dream world.  With my hubs already in hand I had failed to consider the option most closely resembling the dimensions of the unicycle hubs.  Hub choice for my criteria above was already quite limited.  What came next was a wheel builder's dilemma, how to resolve making up the differences in spoke length not covered by the sizes available.  I'll let those of you still reading stew your options here.

*if anyone reading has a source for blank spokes in the 380mm range I'm all ears*


Alongside all this is the now emerging problem that none of this bike will fit my existing tooling.  From wheels and beyond, this bike is the tool-maker's project.  The goal for the rest of it is to keep things as simple as possible, but a compiled tool's built photo for this project is definitely in order.  First off, the truing stand got a 5 inch lift kit....


...As did the dishing tool get an extension.

The project is now moving into the metalwork phase with a tensioned wheelset.  The front is based on a rear MTB hub spacing and 10mm axle for strength and future compatibility; the tandem spaced rear is laced offset 4.5 mm to the drive side equalizing spoke tension between hub flanges and favorably bumping the chainline; the frame will be built to accommodate.  Gear inch calculations are amplified through the large diameter wheel so a 11-36t ten speed cassette will be used along with a 28t BMX sprocket.  Everything parts wise will be chosen from the "tried and true."  To be continued...

Sunday, January 31, 2016

Frosty Winters

Frosty Winters are the Flagstaff way, not always accompanied by snow but sometimes, and between winter storms are periods of nagging cold and freeze thaw glaciation that render most outside activity next to impossible save for morning ice running.  It reminds me of the opening scenes of The Empire Strikes Back when the Rebel Alliance has fled to the Hoth system.  Even our savior to the south, Sedona, has been plagued with red mud and for the most part un-rideable.  Like winters of old so I'm told.  Maybe I should look into acquiring a tan-tan.  And so it hit me the other night while staring off at the stickers on my guitar case waiting for show-time at the Monte Vista Lounge.  10 years.  10 years in Flagstaff.  10 years of Frosty Winters being bailed out by world-class mountain biking one town over. 10 years ago to the night Friday night I rolled into a town on a Frosty Winter night to make a new home and start a new job at the Arizona Conservation Corps.  When I first arrived I grabbed a forest map and a burrito before heading to the first beer joint I could find and catching a local act, Gravy, before nestling down in the back of the Space Cruiser on an open forest road that shown no signs of winter, no place to go but the forest.  I was a true HOBO in every regard.  The burrito was sub-par, the beer down-right terrible, and the music left plenty to be desired...not my thing to say the least.  A few days later work had begun and I had resolved that I could probably spend the year in Flagstaff before moving on to the next great spot.  Well ten years later....

I can imagine no better way of spending the ten year anniversary of my residence in Flagstaff than playing a show at the Monte V.  Many Friday nights of my earlier years were spent wrecking my eardrums at the V.  To be on the stage this night was remarkable.  The crowd: amazing.  A lot has changed in this fair town in the last ten years.  The beer is good these days, at least some of it is, the music scene rivals any other small western town, and the mexican food is, well, incredible.  If I knew ten years ago that we would be riding the bikes we now ride the ways we now ride them, I'd have been in awe.  I distinctly remember resenting half of the trails I now LOVE.  Living here has brought me to a new understanding of bikes and what they can and should do, so I say to the people of my adopted home:  THANK YOU!  Thanks, for having me, teaching me, and showing me your ways, for embracing the eccentrics and keeping us all in such good company.

Frosty Winters (the bike) is as much of an contradiction as winter in Arizona.  Its owner, whose namesake the bike takes, is not frosty at all, quite friendly really, and the bike will no doubt see more long summer days than anything else.  This frame features the latest blend of machined metal turned into performance ride traits aimed at taking its pilot closer to the edge more comfortably than ever before.  Its dressed up in a two coat powder job of Chameleon Teal over Ink Black marvelously executed by Mountain Shine Coatings.  Really the photos do the paint no justice at all, as it shifts shade quite a bit in varying light.  Reminds me of my old Klein Q-pro...better perhaps.  The paint looks straight black, but the sparkles shift from green to blue to purple and given the right low angle light, the bike just radiates violet.


Basics specs for this ride are for 130mm travel MRP fork, 29x2.4" tires, chainstays in the 425mm ball park, 142x12 thru axle, dedicated 1x drivetrain, 30.9 dropper post with external top tube routing....the preferred way in these parts.



Some details of the in-house yoke that make this bike possible.  I'd say its the favorite method I've used to date.  It uses thicker plate than before but the relief keeps the weight identical and the hollow brace reduces weight further while stiffening the whole assembly.  





Legend has it that within the first fifteen minutes of riding, this bike had already saved its owner when a low light A-line was unexpectedly piled with debris in the ongoing user group land battle leaving the only one option:  PULL UP.  The impending crash was thwarted.  Its tales like this and plenty of others that make me psyched to keep this effort going!  Moustache RIDES!  Thanks for the project Frosty.  Enjoy the ride!


Friday, January 22, 2016

Cruiser Bars, Riser Bars, and Compound Bends

I've been mulling this one over for a while now.  Several years.  I've made various efforts towards compound bends with chainstays over the past couple years, mostly rotating by eye or with an angle finder and producing a fair bit of scrap metal in the effort.  Handlebars really put your bending skills to the test.  And the came to step up and pass the test.  Commercial handlebar offerings don't meet the needs of the next two works in progress, and the one guy that makes such an appropriate product I guess isn't much for email.  So my hand was forced,  Lemmy died, and I'm throwing All the Aces.  I'm taking cruiser bars and riser bars on at the custom level.  Custom rise, custom sweep, custom width, custom comfort, 7/8" clamp cause its the BMX standard, unchanged.


Of course tooling updates were in order.  But I wanted to try things out a bit first before fully committing to a new bender.  I have a design fairly worked out in my head, but that's still a far cry from having a working unit in hand, so I figured the prudent thing to do here for time sake was update the ol' Handy 7/8" bender once again.  The ol' Handy has been $100 well spent.  It came from ebay in 2010 and since this picutre has been through several updates to improve its performance.  Its design flaws show a bit in thin wall tubing, but it has facilitated nearly all my learning of bending mechanics.  It is shown below with the first clamp mod.  For this project the clamp was scrapped in favor of a new one...imagine!



With the new parts in hand several bars were drawn out, raw lengths calculated, and the bends made sequentially.  As for the rest of the details, well, I've got to leave you something to think about.  I will say that by far the hardest problem that I'm still trying to wrap my head around is the vector math involved in creating a three dimensional part.  I got stumped several times on paper before taking the try and see approach to prototyping.  I'll continue to pursue the magic formula, but for now the bars are straight (left and right grip area are parallel on the surface plate, and the clamp surface is flat when the ends are touching), and the bends are even and symmetrical.  This hand felt like a big win, but the game rolls on.


Thursday, December 24, 2015

Rotary Table in Service

So the expense of tooling up with machinery never ceases.  At this point the wish list for machine tooling out spends the vehicular wish list ten fold at least.  Not that I'm shopping for used Jaguars or anything.  Just a new bike or two and a....well never mind.  The last bit of The Trade with Joe mentioned a few posts ago was this rotary table.  Its a six inch Phase 2 horizontal/vertical import table, but it came with the Sendero Cycles main tube mitering block to be setup vertically on the Bridgeport.  Given that I already have a mitering system in place I decided to remove the attachments and start with the table ground zero as a horizontal unit.  I hope to use this table to produce some bending dies to further facilitate some frame building methods already in practice at Moustache Cycles.


As with any piece of machinery, you have to somewhere, and when an opportunity to put this little table into rotation came about it seemed time to remove the dust.  A six inch table is a bit small for my ideas, but the spatial concepts are the same so I thought I'd better start learning with what I have and build from there.  I little internet research suggested to build the table out to job so with some scrap metal in hand I took to this.  First project:  34.9mm seat collar with integrated upper rack boss.  Apparently QBP is out of stock of the Salsa units for some time to come, and a current project requires a piece such as this.

Step 1:  Centering the table with the spindle of the mill.  For this I turned a #2 morse taper out of a piece of 3/4" Stainless.  This is a much harder piece to make than it looks.  I used the 4 jaw chuck to keep the  work piece as true to itself as I can.  This is aligned with a dial indicator not shown.  The taper comes to .050" for every inch along the x, but in degrees the precise measurement is finer than I can measure or calibrate on my 1986 import lathe.  A real machinist would precision grind this piece, but neither having this equipment nor the knowledge of the process I went with the lathe, turning it down as close as I could, and checking it along the way with a MT2 drill bit adapter I have.  The slop in the piece was discouraging, but I found that once I was close with turning the taper, and as long as I had a length of the original diameter to work with, I could reduce high spots with a file/emery and hone in on my "precision fit."


With the taper pin fit and tapped into place I needed a way to remove it so it got drilled and tapped for an extractor bolt (think square taper cranks).  The taper pin will catch a 3/4" collet from the mill quill, and if I really cared from there I could use an indicator to get a more exact center.  For this I figured the pin to collet closure would do, but I checked it several times by chucking the pin and finding the point where the taper "stuck".  Table centered.  Now its time to build in some work holding.


One of the more useful pieces of reading I did before attempting this read something to the effect of "with your table centered, you can use it to build itself out."  That said in my mind this was the most complicated step.  I had roughed out the work piece into a rectangle with the holes drilled and the shoulder bored through the center, but mounting even a small piece such as a seat collar was going to test the space confines of this table.  The work piece would need to be centered to the table through its bore so I turned a nicely toleranced adapter sleeve to slip the centering pin.  No clamping pressure here though as the pin is not secured from the underside of the table.  The clamps would need to attach the work piece squarely to the table, keep the graduations of the table in phase with the desired cuts, and allow the mill cutters to extend beyond the work piece to make a full cut.  The table has 3/8" tee slots for use with 5/16" hardware, a size that was seriously lacking in my collection....(add hardware store to the wish list).  I decided to make some 8mm tee-nuts out of some aluminum scrap...aluminum nuts, I know.  I found a semi suitable mounting plate in the scrap collection and nicely the color helps show the work a little better.  I clamped it to the table on some parallels and drilled a bolt circle with countersunk holes to not interfere with later work holding.  We'll call this the clamping plate.  I left that cool fin in tact to scare swimmers, only to find out that it prevents full 360 degree rotation.  The plate was re-centered on the table, this time with its own hardware, but still on parallels.  I should note that it has a low tolerance 3/4" hole drilled through its center, allowing my taper pin to pass through.


At this point my roughed out work piece is centered on the clamping plate, but not attached.  A couple small adjustable clamps were devised and corresponding bolt holes drilled on the clamping plate.  Now the clamping plate is squared and bolted directly to the table surface and the work piece is squared and bolted to the clamping plate.  Six cuts later and I'm nearly finished.  The angle cuts were made with a single flute countersink bit, but results with this were less than pretty.  An angled end mill would be more desirable, but I have none.  I could have angled the mill head, but I've found that one of the absolute worst tasks in the machine arena is squaring the mill head of the Bridgeport.  So at all possible effort now that its square I try to leave it that way.  I'll take an ugly cut on a sample work piece by a long shot.  It cleaned up decently enough with files and abrasives. 


So there you go.  I think this whole walk can be summed up by saying that there's lots of steps and even more brain power, meaning a huge time sink and learning curve.  But with all that its pretty fun.  I'll be looking to complete a few more tooling projects with this table setup as is before switching it to vertical and attempting those dies I mentioned above.  



Tuesday, November 17, 2015

Plate Crown Fork


This was a fun beginning to a much bigger project that came about when the man behind Dapper Dre Enterprises mentioned that he liked the look of bikes that were more classic and angular.  He mentioned  liking a bike I made some years ago, so after our conversation I revisited that bike and the blog entry I posted about it, HERE.  It was a traditional level top tube touring bike, but the plate crown fork stood out, so why not revisit that.  I re-read that post and at the time had concluded not to make one of those for a good long while, or until I have a mill.  Yeah, I remember now why, drilling out matching holes in plates with a drill press and then filing them to round sounds like a terrible idea.  At least I raked the blades to achieve offset rather than angling the holes at the crown...you can probably see where this is going.  Anyway, fork now complete, my favorite comment about it so far came in the form of "How the f^@k did you make that."  Well it took a while but here are the basic steps.


Lots of time went into the working drawing and pre-planning and angles were calculated rather than measured.  I periodically have to recall those high school trig classes out there in the shop and this fork required several of those old formulas...really practical math, folks.  As well I cut a new die for the crush bender to form the lower plate; the upper is the railroad track die used to bend the yoke on Joe's Murray in the last post. 


This thing came in handy for once.  The Palmgren 400 lathe milling attachment.  I picked it up at my local machine supply, Quality Tool, about a year ago in serviceable condition for $100 and haven't touched it other than to clean up and oil.  I bought it initially thinking it would be the tube mitering station, but quickly thought better of it, things just didn't quite compute.  And yes, Flagstaff has a machine tool store even though it doesn't really have too many machines, and I won't bother linking you to it because the guy that runs it is even more of a techno-luddite than I am, so you can find him in the yellow pages, or just drop by, he is there, tucked into the corner by the beauty college with barely even a sign.  Yesterday I picked up a Kennedy tool box loaded up to the gills for not too bad either.



Steerer hole cut into plates and tacked against the crown race seat.  The top plate will actually serve as the crown race seat the sleeve is just to give the proper O.D for the race's press fit.  This whole sub assembly is then sweated with brass and cleaned up. 


Time to make the holes for the legs.  Calculations for rake and crown to hub widening are programmed on the Palmgren and the compound slide respectively.  Then marks are centered before cutting.


 

Holes cut....I almost lost it here.  The expansive angle to the hub was set for the other side so my cut went the wrong way.  Luckily, the metal to the inside (steerer tube side) of the hole was all still there and the 1.625 degree angle of cut was not enough to drastically affect my canvas.  At this point I still didn't have much of an idea of how the fork was going to look in the end, but with the mis-cut I started getting the idea.  I would have to close that gap in at the outside, just like any old lug point.


The rounding cuts were added while in the lathe followed by much manual sculpting.  The closed holes were carved into lug points and made for some fun tight quarters brazing.  



Looking forward to seeing this with a layer of paint and then all done up on the bike which is in process as I type this.  Lots of work into this one!